What is a Marshall Super bass?

The Super Bass 1987 was released as a high-watt bass counterpart to the iconic 1959 Super Lead. Although intended for the bass, this amp was also used by a number of guitarists who appreciated its somewhat less driven tonal character.

Is the Marshall Super bass a bass amp?

Marshall's bass amps were arguably more popular with A-list bassists than the Fender Bassman ever was – Jack Bruce, Chris Squire and Lemmy were fans – but the Super Bass has always been revered by guitarists too.

What is the most powerful bass amp?

At the ongoing 2018 Musikmesse show, Hiwatt unveiled the DR401 bass head. The UK-based manufacturer claims the amp is “the most powerful all-tube bass amp in the world”—and it certainly lives up to its billing.

Who used Marshall jtm45?

The JTM 45 became the basis for many subsequent Marshalls, most notably the Marshall 1962 combo (later referred to as the "Bluesbreaker" due to its use by Eric Clapton with John Mayall's Bluesbreakers).

What is a Marshall Super Lead?

The Marshall Super Lead Model 1959 is a guitar amplifier head made by Marshall. One of the famous Marshall Plexis, it was introduced in 1965 and with its associated 4×12″ cabinets gave rise to the "Marshall stack".

Marshall JMP Super Bass from 1969

Who used a Marshall Super Lead?

With generations of guitar greats such as Jimi Hendrix, Jimmy Page, Edward Van Halen, and countless others all using the Super Lead with stacks of 4 x 12 cabinets, there is no wonder why this amplifier is legendary; especially the very earliest models, known as the "plexi" heads.

Why is a Marshall called a Plexi?

The name originates from its shiny, Plexiglas panel, commonly used on Marshall amps between 1965-1969. Although many amps are referred to as 'Plexi's' The 100 Watt Super Lead (model number 1959) is most commonly associated with the name.

What Marshall did Hendrix use?

The Marshall Super 100 amps were used on tour by Hendrix from the time he acquired them, in October 1966, to around early 1968, when he was offered to play on Sunn amps as a part of an endorsement deal.

What kind of amp did Peter Green use?

That's the case with this month's featured amp: a 1964 Marshall JTM45 4x10 combo that was owned and played by Peter Green during his years with Fleetwood Mac, and potentially with John Mayall's Bluesbreakers.

Is a Marshall JTM45 a plexi?

Marshall JTM45 2245 30-watt Plexi Tube Head.

Can you gig with a 100 watt bass amp?

In my opinion 100 watts isn't enough for a band situation and definitely not enough for a gig situation. I recommend going up to the 250-300 watts range. You're going to find that the amps get much better in quality in this range as well (typically, not always). You're going to have to pay for it though.

Does more watts mean more bass?

Bass, as with most things, demands a comparison of quality vs quantity. More bass does not necessarily mean better bass. The power is determined by the wattage of the subwoofer in question, where a higher wattage demonstrates a more powerful subwoofer.

How many watts is good for a bass amp?

Bass amps between 300 and 350 should be powerful enough for most situations. Around 300 watts is a good ballpark for most bassists who play in a loud band. You need enough power to be heard above the guitar amps and drums.

What is Super bass on amp?

The Super Bass 1987 was released as a high-watt bass counterpart to the iconic 1959 Super Lead. Although intended for the bass, this amp was also used by a number of guitarists who appreciated its somewhat less driven tonal character.

What Marshall head did Lemmy use?

The amplifier head Lemmy used for 30 years (yes, really) was a model 1992 Marshall Super Bass Head (1976 build) that he nicknamed “Murder One”.

What gauge string did Peter Green?

But we do have is this one quote from Peter himself during interview: “And for guitar strings, nine or 10 gauge? I would never touch a nine or a 10. I actually prefer 11s or 12s, and at one time used 13s.

How do you get Peter Green sound?

To get the best out of them, you have to crank the volume. This is what gives you that beautiful, vintage sounding overdrive. And this is how Green played his amps. Like so many of the early electric blues guitarists, he cranked the amps until they started to break up into a warm and rich overdrive.

What amp did Marc Bolan use?

Marc used various amps including Orange , Marshall, Vox and also the following: HH Electronic IC 100-S Guitar Amp Head. Vox AC30 Guitar Combo Amp. HH Electronics IC100 Amplifier.

What amp did Stevie Ray Vaughan use?

The amplifiers he used on stage included: Two "Blackface" Fender Super Reverbs. Marshall Club & Country combo amp with 2×12" JBL speakers. Two 1964 "Blackface" Fender Vibroverb amplifiers (numbers five and six off production line), each with one 15" speaker.

What amps did Jimmy Page use?

Amps. Jimmy Page is best associated with Marshall amplifiers. The image of him in front of a wall of 100 watt Marshalls has embedded itself in rock history.

What amp did Kurt Cobain use?

Apparently Cobain's preferred amp was a 1960s Fender Twin Reverb, which he used to record In Utero, as well as MTV Unplugged. He also used a similar amp during the recording of Bleach, though it is unknown if it was the exact same one. He also favoured a Mesa/Boogie Studio .

What does JCM stand for Marshall?

The “JCM” stands for Jim's full initials — James Charles Marshall.

What does DSL stand for Marshall?

Adding some versatility to the iconic Marshall tone.

Originally launched as a 100W and 50W head, as the name suggests the Dual Super Lead (DSL) contains two foot-switchable channels; called Classic Gain and Ultra Gain.

Why do Marshall amps sound so good?

Marshall Amps

There are a couple of other sonic qualities that Marshalls are known for. This includes the fizzy yet crisp highs that they produce, as well as their tendency to compress when cranked up loud. Crunch tones aside, some players also like Marshall amps because of their cleans.

What is the classic Marshall sound?

Their signature sound, characterized by sizzling distortion and "crunch," was conceived by Marshall after guitarists, such as Pete Townshend, visited Marshall's drum shop complaining that the guitar amplifiers then on the market didn't have the right sound or enough volume.