What dB level should I mix at?

Mixing at the right volume level is important for getting a professional mix. If you're making any EQ changes or listening critically to the relationships between all of our sounds, then be sure to Mix at 85-90db. For everything else, mix at a lower volume level, such as around 50-60db.

What dB should a mix sit at?

Shoot for about -23 LUFS for a mix, or -6db on an analog meter. For mastering, -14 LUFS is the best level for streaming, as it will fit the loudness targets for the majority of streaming sources, but it's okay to go louder (-7 to -10) so that your music stacks up well on other mediums.

What dB should drums be at in a mix?

Drums. Start by setting the snare fader at 0 dB and bringing the rest of the drum mix in around it. The snare is the foundation of the backbeat, and typically one of the loudest elements in the mix. Next, bring the kick fader up until it sounds almost as loud as the snare.

How many dB should vocals be in a mix?

If you mix them too loudly, they will stick out. What dB should vocals be recorded at? You should record vocals at an average of -18dB for 24-bit resolution. The loudest parts of the recording should peak at -10dB and be lowest at -24dB.

How loud should my headphones be when mixing?

Here at Sweetwater, we talk frequently about mixing at safe volume levels (the sweet spot is around 70dB–85dB). This is important no matter how you're listening to your mix, but with headphones it's absolutely vital — after all, there are drivers situated less than an inch from your ears!

What DB Do I Mix At?

What volume should I master at?

I recommend 1dB of headroom, so your master should peak at -1dBFS before you convert it to an mp3 or AAC file. The simplest way to ensure 1dB of peak headroom is to use a maximizer or mastering limiter in which you can set your output ceiling to -1dB. All good maximizers and limiters provide this function.

How loud should I master my music?

The best mastering settings are -14 LUFS integrated loudness, with -0.2dBFS True Peak, and a minimum 6dB of dynamic range. This can vary between streaming services, but -14LUFS will have you covered for the most popular services like, Spotify, Apple Music, Deezer etc.

Should 808 be louder than vocals?

Just make it loud in the context of the mix. Especially in hip hop, kick drums like the 808 tend to be the loudest instrument in a mix. Instead of dressing up an 808 with half-a-dozen signal processors, just try making it louder than the other instruments.

Which is better higher or lower dB?

The louder the noise level, the less time it takes for the damage to take place. In fact, for every 10 decibels of noise exposure, the intensity of the sound goes up 10 times. At 85 decibels, the maximum recommended exposure time is 8 hours.

What dB is best for YouTube?

Currently, YouTube normalises their streamed audio at a level of -14 LUFS, so ensuring your video audio is between -11 LUFS and -13 LUFS will give you a good result on YouTube.

What dB is best for bass?

The paper states that “the range of preferred bass levels among individual listeners is 17dB, from -3dB (listener 346) to 14.1dB (listener 400).” This finding astounded me, not only because of the range of difference of 17dB -- a lot -- but that someone out there preferred -3dB of bass cut.

How many dB should bass be?

Subbass should be peaking at -12dB, so you keep enough headroom for the rest of the song. If mixing with headroom is not working for you, a general rule of thumb is to keep the subbass lower than the kickdrum by about 2 to 5 dB.

Why do my 808s sound muddy?

Often times, 808s ring out too long. This can cause them to trample over the groove of a track. The result? A boomy, muddy low end.

What dB does Spotify use?

How we adjust loudness. We adjust tracks to -14 dB LUFS, according to the ITU 1770 (International Telecommunication Union) standard. We normalize an entire album at the same time, so gain compensation doesn't change between tracks. This means the softer tracks are as soft as you intend them to be.

How loud is Spotify master?

Though Spotify recommends mastering louder tracks to −2 dB true peak.

What RMS for mastering?

With a loud track that has the purpose of carrying a bold and intense sound, they should have an RMS level of roughly -7dBFS to -12dBFS. Tracks that don't have that much dynamic energy or quieter parts, would be better suited with an RMS level of -16dBFS to -18 dBFS.

What volume should I mix to?

Conclusion. Mixing at the right volume level is important for getting a professional mix. If you're making any EQ changes or listening critically to the relationships between all of our sounds, then be sure to Mix at 85-90db. For everything else, mix at a lower volume level, such as around 50-60db.

How can I make my subs hit harder?

One of the most popular ways is to add filters or phase shifters to your subwoofer. You can also make minor upgrades to your subwoofer to make it hit harder. Change the small cone in front of the subwoofer, change the voice coil or get a new enclosure for the subwoofer.

How loud should my master be YouTube?

YouTube guidelines remind us to aim for a target of -13 to -15 LUFS in overall loudness (often shown as “integrated” or “long-term” loudness) and no louder than -9 LUFS for transient peaks (often shown as “peak” or “short-term” loudness).

What should I normalize audio to for YouTube?

Currently, YouTube videos normalise their full audio mix (all audio combined) between -12db to -20db. By having your audio between this benchmark, it will improve the quality of your video, the overall watch time and user experience for your viewers.

Does YouTube normalize audio?

YouTube audio normalization

Streaming services, including YouTube, are adjusting the loudness of uploaded content. To put it another way, if your video does not conform to the YouTube loudness standards, they will adjust it for you.

Is 120db loud?

120 dB is a decibel level that describes extremely loud sounds. In fact, on a decibel chart, 120 dB marks the limit from which sounds become painful and very dangerous to the human ear.