What can I play over major 7 chords?

The Mixolydian scale is surely the most obvious choice when you want to improvise over dominant 7th chords. It is built with a root (1), second (2), third (3), perfect fourth (4), perfect fifth (5), sixth (6) and minor seventh (b7).
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What scales to play over major chords?

The rule is to use Major pentatonic scales over major chords and minor pentatonic scales over minor chords. This works well for most chords. All you need to do is switch scales with the chord changes.
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What scales to play over a major?

To be able to improvise over a major key you also need a major type scale. The two most commonly used scales are the major scale and the major pentatonic scale. We can use the chords built from the major scale to play these scales over.
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Can chords be played on any fret?

The most basic types of movable chords are the power chord and barre chord. This section deals with chords that, in general, do not use open strings. Once the shape of the chord is memorised, it can be played anywhere on the fretboard.
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Does it matter what fret you play a chord on?

If you don't see the nut you will probably see a number to the left of the diagram that indicates what fret you should be on. An X above one of the strings means that you should mute or just not play that string.
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How To Play Over Major 7 Chords - Improvisation Masterclass #2



Can I play minor pentatonic over major chords?

Yes, you can play minor pentatonic over major chords and chord progressions... if it sounds good. Ultimately, let your ears be the judge of what you can and can't do.
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What scales to use for solos?

A pentatonic scale is a scale that has 5 notes per octave. The minor pentatonic scale is typically the first scale guitarists learn to solo with and is very commonly used to form solos in rock, blues, and other popular styles.
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Can V7 go to Vi?

If the V7 resolves deceptively to vi (VI), the leading tone still resolves up by step doubling the third of the vi chord. This occurs even when the leading tone is in an inner voice. Free resolution of the leading tone in this case is generally avoided.
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Why is the VII chord diminished?

The triad built on scale degree ^7 , however, is dissonant. The vii chord is dissonant because it is framed instead by a diminished fifth: Example 17–2. In our discussions of basic interval progressions (Chapter 12 and Chapter 14), we adhered to the practice of using only consonant intervals.
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What chords work well with Cmaj7?

The Bsus4 is not really diatonic to C major, but is a great sound to use for a Cmaj7(#11) or Lydian sound.
  • The Tonic triads. ...
  • The Am triad – C6 chords. ...
  • Esus4 The super triad. ...
  • Asus4 The 6/9 upper structure. ...
  • Lydian with a Bsus4. ...
  • G/C Upper-structure triads. ...
  • The Lydian Upper-structure. ...
  • The Augemented Maj7 – E/C.
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How do I start jamming?

Tips for Joining Your First Jam Session
  1. Choose the right players. ...
  2. Respect others while jamming. ...
  3. It's OK to not play in every song. ...
  4. Know the key and its scale. ...
  5. Let the song leader lead. ...
  6. Listen as much as you play. ...
  7. Welcome mistakes. ...
  8. Set goals for the next jam session.
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Can minor and major scales mix?

Minor and major pentatonic work great together in major keys and can "say" a lot more than if you were to just use one scale. This lesson will help you build licks that move smoothly between the two scales, in a blues context (but you can use what you learn in any style).
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Should I learn minor or major pentatonic?

What scale should I learn first? Well the most common scale to learn first is the Minor Pentatonic Scale. That's the one that I recommend that you start with and it is included in my beginners course. Once you have that one down (and can use it) then you should explore the Major Scale.
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What does FR mean on guitar?

Fr is a short of fret. So this means you should start your chord not for beginning of the fretboard but from second or fourth or ninth fret. 42. 1.
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What are caged chords?

The CAGED system works by using common open chord shapes to map out the guitar neck into five distinct sections. It helps simplify the fretboard by revealing the relationship between common open chord shapes and note/interval arrangement on the guitar.
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